A silver gelatin dry plate glass negative in landscape format.

Country Always

Caring for Country

A Corner of the Empire

The Garden Palace

Sepia photograph of the Technological Museum and a cow in the foreground

The Holding Pen

The Agricultural Hall

Sepia photograph of the Technological College and Museum in Broken Hill

Regional Networks

Across New South Wales

A Museum of Doing

Technological Museum

Colour photograph of red corrugated iron building from a high vantage point

Transforming the Tramsheds

Powerhouse Stage 1 and the Harwood Building

A Symbol in Time

Sydney Observatory

Powerhouse Museum, Stage 2 exterior from high angle, city skyline in background

Ongoing Transformations

Powerhouse Ultimo

Mr Rhodes

Generations Fellow

Blurred image from film with museum object number

Applied Arts and Sciences

Defining the terms in the 21st century

Powerhouse Renewal

Artist Xin Liu floating with arm outstretched against a black background. She wears a full-length grey body suit with long sleeves with bare feet and hands.

Sydney Science Festival

Across Sydney10—17 Aug
Shadows cast by the Powerhouse Parramatta exoskeleton on concrete

Exoskeleton

Powerhouse Parramatta

A woman stands on stage in front of a large audience. She has her left hand raised in the air and a microphone in her right hand. The audience are holding their phones up recording the woman.

Blak Powerhouse

Powerhouse x We Are Warriors

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Stories

Mr Rhodes

Generations Fellow

The best thing about the Fellowship for me was having the access to so many people in the industry who work at a much higher level than I did at the beginning, and to learn from them and build upon what I was already doing both creatively and business-wise. The Financial support was also amazing to have it really helped me with upgrades to my current studio setup & enabling me to be creative without the worries of where rent and food were going to come from next.

Bundjalung rapper, producer and composer Mr Rhodes creates electronic flavoured hip hop ranging from smoky smooth to intensely staunch. Armed with his trusty Roland SP-404 sampler and Push 2 controller, he’s composed and performed on stage and screen for the better part of a decade.

The Powerhouse Generations Fellowship connects artists with established industry experts and mentors, to pass on intergenerational knowledge and create pathways in the music industry. Between August 2020 and January 2021, Mr Rhodes was in residence at Powerhouse to develop his music and explore instruments in the collection.

What a weird first month of this experience, but in a good way COVID has really thrown me for a loop. Due to challenges with traveling and flying, I’ve continued working in my home studio set-up and had my first meeting with Astral People online. I’ve been collaborating a lot this past month with artists from different genres and trying to challenge what I feel is “my style” and looking at it from a different perspective and it has been really helpful and humbling. I also released a new single with my friend Thomas Shaw titled Doing It Well which deals with my mental state in response to the death of George Floyd and the BLM protests all over the world.
September has up and gone and I am just starting to get me head around all this creative energy that’s has come with it.  I spent a week of September working on an upcoming theatre show called “FLOW” that I am both scoring and performing in. The following week I ran workshops with a group of young people and collaborated on 8 incredibly fun songs with them. I also spent a week finishing songs I’ve been sitting on for a long time and am really excited about.
October chilled right out which has been a bit of a relief. This has given me time and space to be creative and productive in many different ways. I had a great catch up with the Astral team, Vic and Tom gave me a tonne of things to think about and preparing for the next month as it is going to be crazy busy. We focussed on issues around clearance and sampling which is super helpful for me, specifically how to go about clearing samples, replaying samples and generally the costs and process involved.
This last month has been ridiculous. I spent the majority of it working on our upcoming theatre show “FLOW”. I also had the chance to fly down to Sydney mid way to do my studio induction at the Powerhouse and spend some time in the studio and in the museum. Luckily restrictions had eased and I was able to catch-up with the Astral People team in-person before flying back to perform for the first time in what feels like a lifetime. Overall this month has been inspiring and exhausting at the same time hopefully I can keep this momentum going.
What a way to close out the year!! I kicked off the month with nothing but rehearsal and a showing for “FLOW”. Then woke up, hopped on a plane and flew to Sydney. While in Sydney is spent the majority of the time in the Powerhouse residence space working on new music and finishing songs off. I also had the opportunity to be apart of Ace People’s - X-Change Songwriting Camp. I caught up with Astral so we could get rolling on the mix and mastering side of releasing a record and getting all of the assets together for this process. Was great to meet in person again and not just online.
What a way to end a this amazing experience between day job, Xmas/New Year break and music possibly the most manic time of the year to get things done. I flew back to Sydney for 3 days of finishing things. Day 1 was spent recording at studio 301 recording vocals, Day 2 I spent at powerhouse in the residents space and caught up with Vic & Tom and day 3 was morning at powerhouse afternoon mixing my next single with George Nicholas. To wrap up my final meeting with Astral People we chatted about artwork and what my next release will look like and how I want to go about pushing the record, which is exciting.
I feel like these last 6 months have really helped me become the type of artist I have always wanted to be. I can really hear and see the growth in my creative practice and it has really instilled in me a confidence that wasn’t there before. Honestly, if anything this entire fellowship experience has been invaluable to me.

Generations Fellowship

The Generations Fellowship connects artists with established industry experts and mentors to pass on intergenerational knowledge and create pathways in the music industry. Established in 2020, this is a partnership between Create NSW, Powerhouse and Australian music management and touring company, Astral People.

Valued at $100,000, the Fellowship supports three early career solo artists or groups to carry out six months of professional development. Each Fellow is provided with $25,000 in financial support, and in-kind support in the form of studio space at Powerhouse Ultimo or Powerhouse Castle Hill, with industry mentoring and networking facilitated by Astral People throughout each residency.