Country Always

Country Always

Caring for Country

A Corner of the Empire

A Corner of the Empire

The Garden Palace

The Holding Pen

The Holding Pen

The Agricultural Hall

Regional Networks

Regional Networks

Across New South Wales

A Museum of Doing

A Museum of Doing

Technological Museum

Transforming the Tramsheds

Transforming the Tramsheds

Powerhouse Stage 1 and the Harwood Building

A Symbol in Time

A Symbol in Time

Sydney Observatory

Ongoing Transformations

Ongoing Transformations

Powerhouse Ultimo

Applied Arts and Sciences

Applied Arts and Sciences

Defining the terms in the 21st century

Powerhouse Renewal

Powerhouse Renewal

Sydney Science Festival

Sydney Science Festival

Across Sydney10—17 Aug
Exoskeleton

Exoskeleton

Powerhouse Parramatta

Blak Powerhouse

Blak Powerhouse

Powerhouse x We Are Warriors

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Stories

Exoskeleton

Powerhouse Parramatta
Interview with Hiroko Kusunoki, Nicolas Moreau, Steven Toia, Kengo Takamatsu and Jun Sato.

Powerhouse Parramatta is designed so that the superstructure is a celebrated architectural feature that is used to articulate the building facades. The buildings are designed with three scales of steel lattices as an exoskeleton to the buildings that provide column free large volume spaces.

Architecture is all about the relation with the site. The nature of the site environment is always the first thing that feeds the design and helps us to take directions. So architecture and nature is all one thing.
Nicolas Moreau, Moreau Kusunoki (Lead Designer)
For me, what is important in my museum experience is that as a visitor, I can personalise my visit. That notion of time of day and authenticity will be very important. The meaning, the experience of art should be totally one-on-one, and influenced by other elements – the light of the season, the wind before arrival.
Hiroko Kusunoki, Moreau Kusunoki (Lead Designer)
We were looking for something that would be iconic for Western Sydney.
Steven Toia, Genton (Local Architect)
Shadows cast by the Powerhouse Parramatta exoskeleton on concrete

In their competition scheme, Moreau Kusunoki (Lead Designer) and Genton (Local Architect) conceived Powerhouse Parramatta as a building with many functions and limitless potential. Their concept for the exoskeleton enabled the built form to tread lightly on the site, creating a porous ground plane that opens up the architecture as a gateway between the city and the river.

At night, it becomes a lighthouse. The frame will appear as shadow while the light will come through the building.
Nicolas Moreau, Moreau Kusunoki (Lead Designer)
Aerial view of Parramatta and Parramatta River
Dissolving the structure into lattice transforms the perception of scale of the building. Starting with the first, finest degree of lattice, we create a scale that is human and tangible; contributing to the comfort and attachment of the individual visitor. The second, medium level of lattice, relates more to the scale of the neighbourhood; integrating the building into the urban fabric. Finally, the third, largest degree of lattice solidifies the building as a monumental landmark. This network of lattice enables the building to transcend scales, existing simultaneously in the intimate and the iconic.
Hiroko Kusunoki, Moreau Kusunoki (Lead Designer)

Moreau Kusunoki’s concept envisaged each element of the exoskeleton to have a unifying pattern that could be observed both up close and when viewing the building from afar. These sketches made in June 2020 show the working process of Arup Senior Structural Engineer Kengo Takamatsu as he develops the exoskeleton pattern and geometry that was designed by Moreau Kusunoki. Takamatsu’s drawings illustrate how tension and compression are manipulated with traditional truss components such as chords and nodes while enablingthe X, V and N patterns in the steel at both a large and small scale, as developed by Moreau Kusunoki.

three people wearing black clothes looking towards the camera
Powerhouse Parramatta architects Nicolas Moreau, Hiroko Kusunoki and Steve Toia. Photo: Zan Wimberley
The exoskeleton lattice patterns directly express the building’s structural logic, revealing its functionality, rationality and lightness; enabling column free exhibition spaces to support dynamic and flexible programming.
Kengo Takamatsu, Senior Structural Engineer, Arup Australia

On Monday 31 October 2022, Moreau Kusunoki (Lead Designer) and Genton (Local Architect), a representative of the Design Integrity Panel and the project team reviewed the prototype of Powerhouse Parramatta’s exterior structural frame, known as the exoskeleton, as well as the proposed glazed facade.

At approximately 7m high x 4m wide x 5m deep, review of the prototype is a key process to finalise the design development to be incorporated into the completed exoskeleton and the façade. The design and project teams will continue to test and validate the design solutions associated with steel, concrete and façade interfaces over the next months.

Powerhouse Parramatta Exoskeleton Prototype

As the first NSW State cultural institution to be based in Western Sydney, Powerhouse Parramatta will increase access to culture for all and reflect the diverse communities of Greater Sydney. View gallery of architectural plans. Photos: Zan Wimberley

person standing by themselves next to exoskeleton
people gathered outside prototype under a boom mic
person talking under a boom mic surrounded by people
Each time you visit you will have a different experience.
Nicolas Moreau, Moreau Kusunoki (Lead Designer)

The Powerhouse acknowledges the Traditional Custodians of the ancestral homelands upon which our museums are situated. We respect their Elders, past, present and future and recognise their continuous connection to Country.

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