A silver gelatin dry plate glass negative in landscape format.

Country Always

Caring for Country

A Corner of the Empire

The Garden Palace

Sepia photograph of the Technological Museum and a cow in the foreground

The Holding Pen

The Agricultural Hall

Sepia photograph of the Technological College and Museum in Broken Hill

Regional Networks

Across New South Wales

A Museum of Doing

Technological Museum

Colour photograph of red corrugated iron building from a high vantage point

Transforming the Tramsheds

Powerhouse Stage 1 and the Harwood Building

A Symbol in Time

Sydney Observatory

Powerhouse Museum, Stage 2 exterior from high angle, city skyline in background

Ongoing Transformations

Powerhouse Ultimo

Blurred image from film with museum object number

Applied Arts and Sciences

Defining the terms in the 21st century

Gary Carsley x Justin Shoulder

The Age We're In

Powerhouse Renewal

Two people standing next to a cow in a field of cows.

Powerhouse Food: Producers

Across Western Sydney24 Aug 2024 — 25 Jul 2025

We Rise

Blak Powerhouse

A tall rocket with a long trail of burning fuel lifts off from a launchpad at Cape Canaveral.

Powerhouse-1 Mission Launch to the ISS

An initiative of the Powerhouse: Future Space program

Photofields

Across Sydney6—7 Dec
Shadows cast by the Powerhouse Parramatta exoskeleton on concrete

Exoskeleton

Powerhouse Parramatta

A woman stands on stage in front of a large audience. She has her left hand raised in the air and a microphone in her right hand. The audience are holding their phones up recording the woman.

Blak Powerhouse

Powerhouse x We Are Warriors

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Stories

Gary Carsley x Justin Shoulder

The Age We're In

I think that masks are often thought of as concealing whereas we use them to reveal
Gary Carsley

Queer artists Gary Carsley and Justin Shoulder discuss their shared paths, first as teacher and student, later as artists challenging conventions with unique practices. In episode three of The Age We’re In, Carsley and Shoulder reflect on their important points of intersection: respecting Indigenous sovereignty, nurturing queer community, committing to the processes of making and using masks to reveal meanings.

I try to look for resonance in the juxtaposition of things that happen to share characteristics
Gary Carsley
Lolo is grandfather in Tagalog … my lolo was a jeepney driver … and part of my curiosity to speak to him was to create a figure that was a kind of jeepney spirit, made of mostly found objects, very assemblage in the same way that the jeepney is a kind of reconfiguration of a military vehicle
Justin Shoulder
Justin Shoulder is Carrion - a creature in a white mask with red eyes and headphone cords as strands of hair. Carrion wears a red and white ruffled outfit. He is in motion.
A large inflatable costume with right and red check diamond pattern.
Queerness is not embedded in its sexualisation but rather in acts of disobedience
Gary Carsley
I went to, I think it was Selina's, and Jimmy and the Boys were playing ... And I got a job with them doing backdrops and costumes … then I got a job at the Mardi Gras workshops with Peter Tully when it was in East Sydney or Woolloomooloo, and that led to the kind of the language I use that the scale of things, the use of materials that aren't precious
Gary Carlsey
I started to go clubbing and going to Club Kooky at Club 77. And it's one of those dance floors where I witnessed artists like Sex and Glitter perform on a Sunday night, and they opened up my perception and my sensation to artists who were using the body and talking about politics and everything in a way that was very clowny and sexy
Justin Shoulder
Understanding you’re one part of a community, of an ecology or planet is very grounding … I feel like it’s a very Indigenous mode of understanding your actions have ripple effects
Justin Shoulder

Speakers

Gary Carsley is an artist, curator and educator whose multi-disciplinary work spans photography, performance, installation, painting, drawing and digital media.

Justin Shoulder is a multidisciplinary artist working in performance, costume, queer parties, sculpture, video and community events.

Gary Carsley and Justin Shoulder are founding members of queer artist collective, The Glitter Militia, which hosts art party Monsta Gras and Club Ate with Bhenji Ra. Through Justin’s alter personas based on queered ancestral myths, they use costumes and prothesis to elaborate Future Folklore. They use their body and craft to forge connections between queer, migrant, spiritual and intercultural experiences.

About

The Age We’re In brings together practitioners, scientists and researchers at different stages of their careers to share ideas and responses to global issues. These conversations highlight the common ground of how and why they pursue their practise and explore challenges and opportunities in their industries.