A silver gelatin dry plate glass negative in landscape format.

Country Always

Caring for Country

A Corner of the Empire

The Garden Palace

Sepia photograph of the Technological Museum and a cow in the foreground

The Holding Pen

The Agricultural Hall

Sepia photograph of the Technological College and Museum in Broken Hill

Regional Networks

Across New South Wales

A Museum of Doing

Technological Museum

Colour photograph of red corrugated iron building from a high vantage point

Transforming the Tramsheds

Powerhouse Stage 1 and the Harwood Building

A Symbol in Time

Sydney Observatory

Powerhouse Museum, Stage 2 exterior from high angle, city skyline in background

Ongoing Transformations

Powerhouse Ultimo

Blurred image from film with museum object number

Applied Arts and Sciences

Defining the terms in the 21st century

shadow of figure amongst pillars of a building

Sydney Design Week 2023 Recap

Reflections on the 27th annual showcase of contemporary design

Powerhouse Renewal

Artist Xin Liu floating with arm outstretched against a black background. She wears a full-length grey body suit with long sleeves with bare feet and hands.

Sydney Science Festival

Across Sydney10—17 Aug
Shadows cast by the Powerhouse Parramatta exoskeleton on concrete

Exoskeleton

Powerhouse Parramatta

A woman stands on stage in front of a large audience. She has her left hand raised in the air and a microphone in her right hand. The audience are holding their phones up recording the woman.

Blak Powerhouse

Powerhouse x We Are Warriors

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Stories

Sydney Design Week 2023 Recap

Reflections on the 27th annual showcase of contemporary design
shadow of figure amongst pillars of a building
The 27th Sydney Design Week (2023) offered a platform to the critical research, industries, infrastructure and technologies that underpin design practice in our city, inviting plural perspectives from our local communities.
Keinton Butler, Creative Director, Sydney Design Week

Titled Amodern, in response to an essay by French philosopher Bruno Latour (1947–2022), the program enlisted six fields of enquiry: Eco Systems, Material Cultures, Communal Cities, Micro Cycles, Connected Threads and Photofields, to explore the complex and interconnected social and natural ecologies in which contemporary design operates.

Tour of Punchbowl Mosque

Architect Angelo Candalepas and designer Peter Gould hosted a tour of the award-winning Punchbowl Mosque, which unites concepts of religion, history and faith. This union is most evident in the main prayer space, which references ornamental ‘muqarnas’ in traditional Islamic architecture that illuminate the space throughout the day.

Architecture is one of the arts that can allow a 'universal’ understanding of emotional experience to form an epiphany.
Angelo Candalepas, founder, Candalepas Associates
Group of people standing inside the Mosque
Figures waiting to walk through a doorway while standing
Peeping through a crack of a doorway to see the Mosque
Figure taking a photo of the Mosque's ceiling
Two figures sitting on chairs in the mosque
People walking downstairs
Figure walking towards a set of doors
Figures taking in the beauty of the Mosque from inside
Figure walking away through a doorway
Figures standing and listening to a tour guide
Figure standing and looking at the camera
Images: Hamish Mcintosh

Material Ecologies Design Lab (MEDL) x Sydney Design Week kitchen

The University of Sydney Material Ecologies Design Lab co-presented a series of workshops and exhibits fusing art and sustainability in a pop-up studio near Central Station.

Thread, curated by Margaret Hwang, showcased experimental designers and artisans from across Asia-Pacific weaving new narratives for contemporary textile and sustainable design.

Melvin Josy displayed Hysteresis, a series of critical design objects made from recycled rubber crumbs, examining the material's evolution and its story from extraction to disposal and potential reuse.

The MEDL kitchen showcased designers Dr Stefan Lie, Nahum McLean, Saul Mazabow, Dr Kate Scardifield and Ella Williams, working with sustainable, renewable and bio-based materials, sparking conversation about material futures, circularity and design responsibility.

Exhibition space with metal tables and hanging fabrics
Sydney Design Week Material Labs exhibition
Sydney Design Week Material Labs exhibition featuring fabrics
Material detail
Sydney Design Week Material Labs exhibition
Detail of material
robot arm in exhibtion space for Sydney Design Week Material Labs
Tall legged table showcasing a 3d sculpture with photos on a wall in the background
Tables of marble on display next to a fire hydrant
Person in the exhibition of hanging fabric
Colourful pieces of fabric hanging from babmboo
Sheer fabric hanging from bamboo feature
Images: Hamish McIntosh

Writing Rooms at the Whitlam Prime Ministerial Home

Powerhouse invited expressions of interest from established, emerging and student practitioners interested in design writing to participate in an afternoon workshop held at the family home of Australia's 21st Prime Minister, the Hon Gough Whitlam AC QC.

The workshop was hosted by Sophie Lanigan, editor of Union Magazine, and Charles Rice, Fullbright Scholar and published author, and offered a productive and fun way for writers to explore design journalism and respond to the unique heritage setting of the Whitlam Prime Ministerial Home in Cabramatta.

Similar to a still life drawing class, the workshop included two writing sessions that encouraged participants to reflect on the home.

A yellow telephone sits on a white cabinet top
People sitting within a room with glass walls and brick
Figure leans on house exterior while sitting on grass
Entrance to house, with chequered tiles, concrete and brick
Inside a house with people sitting
Figure hunched over through the window of a house
Corner of windows with sheer white curtains inside
Shadows casting angles across a mustard cabinet-filled kitchen
Ramp to a doorway with a tree outside a house
Sketches in a booklet
Images: Magnolia Minton Sparke

Workshop in Modest Fashion Design

A full day, intensive workshop was led by fashion designers and digital creatives exploring the innovation and beauty of contemporary modest fashion. Participants collaborated with industry leaders and emerging talent to explore contemporary design, cultural identity and sustainability. Led by Powerhouse, the program was fully subsidised for successful applicants.

Workshop leaders included digital creator and fashion influencer Nawal Sari, designer Anjilla Seddeqi, Powerhouse curator Glynis Jones, head of school at the TAFE NSW Fashion Design Studio (FDS) Laura Washington, founder of Fabrics of Multicultural Australia Sonia Gandhi, co-founder of Twiice Boutique Nigara Momin and photographer Zahrah Habibullah.

Many figures working with patterns on fabric in a big room
Figure looking at camera
Figure looking at the camera
Figure speaking with hands.
Jewelled hands pinning pattern to fabric
Figures working with patterns on fabric
Figure leaning over pinning pattern to fabric
Figures working around a mannequin with fabric
Hands working on mannequin shaping fabric
Figure looking at camera
Figures taking a selfie together and leaning in
Figure looking at camera
Images: Tugba Demir

Tour of Australian Plantbank

The tour of the Australian PlantBank led by Peter Titmuss, architect and principal at BVN, and John Siemon, director of horticulture and living collections at the Botanic Gardens of Sydney, highlighted the unique design of the PlantBank and its science conservation programs.

Shelving at Australian PlantBank
Building Detail
Person presenting at Australian PlantBank Tour
Inside a storage area of Australian PlantBank Tour
Lab coats at Australian PlantBank
Hands presenting a basket of petri dishes at Australian PlantBank Tour
Person opening device at Australian PlantBank Tour
Detail of shelf at Australian PlantBank
Person presenting at Australian PlantBank Tour
Viles and jars of specimens on a glass shelf beautifully lit
Images: Andy Roberts

Tour of Warragamba Dam

The 90-minute tour of Warragamba Dam was led by architect Annabel Lahz (Lahznimmo Architects), General Manager Regional Operations Sydney, Brian Mayhew (Water NSW) and catchment area manager Mary Knowles (Water NSW). It explored the Dam’s ground-breaking design and shared insights into Sydney’s complex water supply system.

Warragamba Dam is located 65 kilometres west of Sydney in a narrow gorge of the Warragamba River on the lands of the Gundungurra Nation.

More than a century after its location was first suggested, work commenced in 1948 to build a reliable new water supply for Sydney’s growing population. Completed in 1960, Warragamba Dam was constructed by 1800 workers of more than 25 nationalities using three million tonnes of concrete.

Lake Burragorang, the man-made reservoir formed behind Warragamba Dam, supplies up to 80 per cent of the water used by more than five million people living in Greater Sydney today. It is one of the world’s largest drinking water supply dams.

Figure walking around concrete structures of the dam
Visitors look over the edge of Waragamba Dam
Base of Waragamba Dam
Outside view for those touring Waragamba Dam
Bridge above the dam
Metal structure above the dam bridge
Wall to the dam, with building atop
Tour group standing inside the dam infrastructure
High view of concrete edge to dam
Fish swimming at the base of the dam
Underground tunnel with yellow tiles
Valve Hose labelled doorway with artworks on the wall
Concrete shapes of the dam with wet patches
Concrete structures of the dam
Images: Maja Baska

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