A silver gelatin dry plate glass negative in landscape format.

Country Always

Caring for Country

A Corner of the Empire

The Garden Palace

Sepia photograph of the Technological Museum and a cow in the foreground

The Holding Pen

The Agricultural Hall

Sepia photograph of the Technological College and Museum in Broken Hill

Regional Networks

Across New South Wales

A Museum of Doing

Technological Museum

Colour photograph of red corrugated iron building from a high vantage point

Transforming the Tramsheds

Powerhouse Stage 1 and the Harwood Building

A Symbol in Time

Sydney Observatory

Powerhouse Museum, Stage 2 exterior from high angle, city skyline in background

Ongoing Transformations

Powerhouse Ultimo

Blurred image from film with museum object number

Applied Arts and Sciences

Defining the terms in the 21st century

Powerhouse Renewal

Two people standing next to a cow in a field of cows.

Powerhouse Food: Producers

Across Western Sydney24 Aug 2024 — 25 Jul 2025

We Rise

Blak Powerhouse

A tall rocket with a long trail of burning fuel lifts off from a launchpad at Cape Canaveral.

Powerhouse-1 Mission Launch to the ISS

An initiative of the Powerhouse: Future Space program

Photofields

Across Sydney6—7 Dec
Water below trees scape.
Shadows cast by the Powerhouse Parramatta exoskeleton on concrete

Exoskeleton

Powerhouse Parramatta

A woman stands on stage in front of a large audience. She has her left hand raised in the air and a microphone in her right hand. The audience are holding their phones up recording the woman.

Blak Powerhouse 2023

Powerhouse x We Are Warriors

Slider thumb2024
Water below trees scape.

Photographing with Country with Peta Clancy

Tag iconWorkshop
when
Sat 7 Dec
when
2 sessions
price
$35
where
Sydney Observatory

Colonial landscape photographs from Australia were often produced for scientific, topographic, or tourism purposes and reflect aesthetic, possessive, and economic perspectives on land and waterways. Landscape photographs tend to overlook Aboriginal and Torres Strait Islander ancestral and cultural connections with Country.

For this workshop, participants are invited to bring a printed photograph of Country, landscape, or place to respond to. Participants will consider the agency of Country and acknowledge the Traditional Custodians of the depicted land. Discussions will reflect on the multiple time frames, histories, and viewpoints represented in the photographs. Participants will produce a photographic reinterpretation or written response informed by their reflections and positionality in relation to their shared photograph.

Practitioner

Peta Clancy (she/her) is a descendant of the Yorta Yorta people. She lives on Wurundjeri Country in Melbourne. Her large-scale photographic installations offer long-term in-depth depictions of Place and explore the agency of Country and relationality. She was awarded an Australia Council Fellowship for Visual Arts in 2022. Her work has been exhibited widely in Australia and internationally. She is the photography coordinator in the Fine Art Department, a researcher in the Wominjeka Djeembana Indigenous research lab and Associate Dean – Indigenous at Monash’s Art Design & Architecture Faculty. Peta is represented by Dominik Mersch Gallery.

Program Partner